Chomsky! speaks out with noble integrity

May 21st, 2009

 

 

American Amnesia: We Forget Our Atrocities Almost As Soon as We Commit Them

 

By Noam Chomsky, Tomdispatch.com. Posted May 20, 2009.

 

Historical amnesia is a dangerous social phenomenon because it lays the groundwork for crimes that still lie ahead.

 

Also in Rights and Liberties

 

 

 

 by the White House elicited shock, indignation, and surprise. The shock and indignation are understandable. The surprise, less so.

 

For one thing, even without inquiry, it was reasonable to suppose that Guantanamo was a torture chamber. Why else send prisoners where they would be beyond the reach of the law — a place, incidentally, that Washington is using in violation of a treaty forced on Cuba at the point of a gun? Security reasons were, of course, alleged, but they remain hard to take seriously. The same expectations held for the Bush administration‘s “black sites,” or secret prisons, and for extraordinary rendition, and they were fulfilled.

 

More importantly, torture has been routinely practiced from the early days of the conquest of the national territory, and continued to be used as the imperial ventures of the “infant empire” — as George Washington called the new republic — extended to the Philippines, Haiti, and elsewhere. Keep in mind as well that torture was the least of the many crimes of aggression, terror, subversion, and economic strangulation that have darkened U.S. history, much as in the case of other great powers.

 

Accordingly, what’s surprising is to see the reactions to the release of those Justice Department memos, even by some of the most eloquent and forthright critics of Bush malfeasance: Paul Krugman, for example, writing that we used to be “a nation of moral ideals” and never before Bush “have our leaders so utterly betrayed everything our nation stands for.” To say the least, that common view reflects a rather slanted version of American history.

 

Occasionally the conflict between “what we stand for” and “what we do” has been forthrightly addressed. One distinguished scholar who undertook the task at hand was Hans Morgenthau, a founder of realist international relations theory. In a classic study published in 1964 in the glow of Camelot, Morgenthau developed the standard view that the U.S. has a “transcendent purpose”: establishing peace and freedom at home and indeed everywhere, since “the arena within which the United States must defend and promote its purpose has become world-wide.” But as a scrupulous scholar, he also recognized that the historical record was radically inconsistent with that “transcendent purpose.”

 

We should not be misled by that discrepancy, advised Morgenthau; we should not “confound the abuse of reality with reality itself.” Reality is the unachieved “national purpose” revealed by “the evidence of history as our minds reflect it.” What actually happened was merely the “abuse of reality.”

 

The release of the torture memos led others to recognize the problem. In the New York Times, columnist Roger Cohen reviewed a new book, The Myth of American Exceptionalism, by British journalist Geoffrey Hodgson, who concludes that the U.S. is “just one great, but imperfect, country among others.” Cohen agrees that the evidence supports Hodgson’s judgment, but nonetheless regards as fundamentally mistaken Hodgson’s failure to understand that “America was born as an idea, and so it has to carry that idea forward.” The American idea is revealed in the country’s birth as a “city on a hill,” an “inspirational notion” that resides “deep in the American psyche,” and by “the distinctive spirit of American individualism and enterprise” demonstrated in the Western expansion. Hodgson’s error, it seems, is that he is keeping to “the distortions of the American idea,” “the abuse of reality.”

 

Let us then turn to “reality itself”: the “idea” of America from its earliest days.

 

“Come Over and Help Us”

 

The inspirational phrase “city on a hill” was coined by John Winthrop in 1630, borrowing from the Gospels, and outlining the glorious future of a new nation “ordained by God.” One year earlier his Massachusetts Bay Colony created its Great Seal. It depicted an Indian with a scroll coming out of his mouth. On that scroll are the words “Come over and help us.” The British colonists were thus pictured as benevolent humanists, responding to the pleas of the miserable natives to be rescued from their bitter pagan fate.

 

 

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    Stuffed into an 8 pound flesh covered space suit in Southern California in 1944, Barbara Ann Moore was born at a very early age. Her uneventful childhood, with a yarn-spinning Alabama father and Virginia Virgo mother, two humorous older brothers and a singing beagle, was full of love and laughter. As a professional student with no particular profession in mind, Barbara attended several colleges and universities on the undergraduate as well as the graduate level. Briefly married (also at an early age), Barbara worked as a lab tech in the hospital before she became an academic adviser at Iowa State University and later, in California, at the State University at Chico. Her life took a distinct 180 turn in the '70's when she met a colorful psychedelic artist who wanted to “score” a chick and move to Hawaii. Since her multiple Scorpio phoenix bird reincarnations in Hawaii, Barbara has primarily been crafting the Healing Arts Center (see About Us on www.dragonflyranch.com) called the Dragonfly Ranch--begun in 1974. Along the way, Barbara studied with a number of respected kahunas who taught her Hawaiian lomilomi (a sacred rejuvenation treatment), ho’oponopono (a method of "setting things right") and Hawaiian healing herbs. With the help of quality assistance from her Ohana (adopted family), three dogs and one cat, Barbara hosts discerning travelers looking for an authentic Hawaiian experience, enjoying Healthy Pleasures. Elected president of Hawaii Island Wellness Travel Association (HIWTA.org), Barbara is learning how to interview members for youTube "webasodes". Besides loving her life at the Dragonfly, Barbara’s present personal passion is to finish her screenplay called, “To Die Laughing”, a romantic comedy about death.
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